
| Starry Night Over the Rhone |
| Details | ||
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Oil on canvas 72.5 x 92.0 cm. Arles: September, 1888 F 474, JH 1592 Paris: Musee d'Orsay |
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| History | ||
| Provenance Exhibitions |
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| Analysis | ||
| See below |
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In eynem: The New Yiddish Textbook is a landmark, two-volume educational resource published by the Yiddish Book Center
. It is recognized as a modern shift in Yiddish pedagogy, moving away from traditional grammar-heavy methods toward a communicative approach Core Textbook Overview Spans over across two full-color, illustrated volumes
Uses the communicative method, where students learn by using the language as a practical tool to talk about daily life and cultural topics Multimedia Integration:
It features a cast of recurring characters and is supported by a rich companion website containing interactive exercises, audio recordings, and songs PDF and Digital Access
While primarily known as a physical textbook set, a digital version is officially available: Official Purchase: The PDF version can be purchased through the Yiddish Book Center Store Usage Terms: Buyers of the official PDF are typically entitled to three downloads In Eynem Pdf
, allowing for use across multiple devices (e.g., a tablet and a computer) Benefits of Digital:
Teachers and students often use the digital version in remote learning environments (like Zoom) to easily share and zoom in on specific illustrations or texts that might be harder to see in the physical print Interactive Access:
Registering a purchased copy provides an access code for the textbook’s companion website and its interactive workbook materials Content and Structure The curriculum is divided into that bridge beginner to intermediate levels Cultural Focus:
It weaves together authentic Yiddish cultural texts, including literature, songs, and historical documents Target Audience: In eynem: The New Yiddish Textbook is a
Designed for a wide range of learners, from high school and college students to independent adult learners or specific Yiddish learning communities that use this textbook? In eynem: The New Yiddish Textbook
Eynem might be a person who exists primarily as data. Born in a margin note, thriving in metadata, Eynem's life is tracked in timestamps and revision histories. Alternatively, Eynem could be a place: a town whose archives survive only as scanned PDFs — brittle, searchable, and incomplete. Whether person or place, Eynem is known through the imperfect translucence of digitized records.
Musically, "In Eynem" is structured as a catchy, uptempo waltz or swing number depending on the arrangement.
Open the PDF in a program like GoodNotes (iPad) , Xournal++ (Linux/PC) , or Drawboard PDF (Windows) . Use colored highlights for: Unit order is intentional – don’t skip the
In Eynem introduces the Alef-beys quickly. Before diving into Lesson 1, use a separate guide to memorize the letters. A PDF is searchable—use Ctrl+F to find all instances of a new letter.
In Eynem was founded in 2017 by a collective of Yiddish poets, translators, and scholars who felt that existing venues for Yiddish literature were either too insular (language-only, limiting readership) or too reliant on canonical, pre-war material. The founders wanted to demonstrate that Yiddish is not a “ghost language” frozen in the shtetl past, but a vibrant, evolving medium for 21st-century expression—one that can address climate crisis, queer identity, diaspora politics, and digital alienation.
The first print issue received immediate praise for its production quality and editorial vision. However, the collective quickly recognized a fundamental problem: the audience for Yiddish literature was global and often mobile, and print runs could not keep pace with demand, especially from younger readers and educators.
| Owner | City | Country | Date acquired |
|---|---|---|---|
| Johanna van Gogh-Bonger | Amsterdam | Netherlands | |
| Johan Theodoor Uiterwijk (Arts and Crafts Art Gallery) | The Hague | Netherlands | April, 1899 |
| Bas Veth | Bussum | Netherlands | |
| Buffa Art Gallery | Amsterdam | Netherlands | 20 June 1922 |
| F. Moch | Paris | France | |
| Muse d'Orsay | Paris | France | 1975 |
| Year | City | Country | Venue | Exhibition Name | Start Date | End Date | No. |
|---|---|---|---|---|---|---|---|
| 1889 | Paris | France | Salles de la St d'Horticulture | Salon des artistes indpendants | 3 September 1889 | 4 October 1889 | 272 |
| 1892 | Antwerp | Belgium | Association pour l'art | Kunst van Heden, Art d'Aujourd'hui, 1re Exposition Annuelle | |
4 | |
| 1892 | The Hague | Netherlands | Haagsche Kunstkring (Buitenhof) | Werken van Vincent van Gogh | 16 May 1892 | 6 June 1892 | 15 |
| 1894 | Nijmegen | Netherlands | Societit De Vereeniging | Schilder- en beeldhouwkunst | 20 June 1894 | 20 July 1894 | 51 |
| 1896 | Rotterdam | Netherlands | Kunstzalen Oldenzeel | Vincent van Gogh: fransche periode | |
|
49 |
| 1901 | Paris | France | Galerie Bernheim-Jeune | Exposition d'Oeuvres de Vincent van Gogh | 15 March 1901 | 31 March 1901 | 65 |
| 1905 | Amsterdam | Netherlands | Stedelijk Museum | Tentoonstelling Vincent van Gogh | 15 July 1905 | 1 August 1905 | 156 |
| 1927 | Paris | France | Galerie Bernheim-Jeune | Vincent van Gogh l'poque franaise | 20 June 1927 | 2 July 1927 | |
| 1931 | Paris | France | Galerie Paul Rosenberg | Oeuvres importantes de grands maitres du dix-neuvime sicle | 18 June 1931 | 21 June 1931 | 43 |
| 1934 | Paris | France | Galerie des Beaux-Arts | Gauguin, ses amis, l'cole de Pont-Aven et l'Academie Julian | |
|
148 |
| 1936 | Paris (1) | France | Bibliotque Nationale | Cinquantenaire du Symbolisme | |
|
1058 |
| 1937 | Paris | France | Les Nouveaux Muses, Quai de Tokyo | La vie et l'oeuvre de Van Gogh | |
|
37 |
| 1960 | Paris (1) | France | Muse Jacquemart-Andr | Vincent van Gogh 1853-1890 | |
|
44 |
| 2000-01 | Amsterdam | Netherlands | Van Gogh Museum | Light! The Industrial Age 1750-1900. Art and Science, Technology and Society | 20 October 2000 | 11 February 2001 | |
| 2001-02 | Chicago | United States | Art Institute of Chicago | Van Gogh and Gauguin: The Studio of the South | 22 September 2001 | 13 January 2002 | 65 |
| 2002 | Sapporo | Japan | Hokkaido Museum of Modern Art | Vincent & Theo van Gogh | 5 July 2002 | 25 August 2002 | 35 |
| 2002 | Kobe | Japan | Hyogo Prefectural Museum of Art | Vincent & Theo van Gogh | 7 September 2002 | 4 November 2002 | 35 |
| 2004 | Melbourne | Australia | National Gallery of Victoria | The Impressionists: Masterpieces from the Muse d'Orsay | 17 June 2004 | 26 September 2004 | |
| 2006-07 | New York | United States | Metropolitan Museum of Art | Czanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde | 14 September 2006 | 7 January 2007 | 122 |
| 2007 | Chicago | United States | Art Institute of Chicago | Czanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde | 17 February 2007 | 12 May 2007 | 122 |
| 2007 | Paris (1) | France | Muse d’Orsay | Czanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde | 19 June 2007 | 16 September 2007 | 122 |
| 2008-09 | New York | United States | Museum of Modern Art | Van Gogh at the Colours of the Night | 21 September 2008 | 5 January 2009 | 31 |
| 2009 | Amsterdam | Netherlands | Van Gogh Museum | Van Gogh at the Colours of the Night | 13 February 2009 | 7 June 2009 | 49 |
| 2009-10 | Canberra | Australia | National Gallery of Australia | Masterpieces from Paris: Van Gogh, Gauguin, Czanne anf Beyond. Post-Impressionism from the Muse d’Orsay. | 2 December 2009 | 18 April 2010 | 49 |
| 2010-11 | San Francisco | United States | De Young Museum | Van Gogh, Gauguin, Czanne and Beyond: Post-Impressionist Masterpieces From the Muse d’Orsay | 25 September 2010 | 18 January 2011 | |
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