Master artist Kim Jung Gi offers a comprehensive drawing class on Coloso focusing on fundamental form, perspective, and imagination, distilling 25 years of experience into practical lessons. The course covers drawing simple forms from any angle, complex 1 to 6-point perspective, and character design. Explore the full course details at
슈퍼애니 작가 김정기의 온라인 드로잉 클래스
One of Kim’s hallmarks is "dense composition"—packing a single drawing with 50 different narratives. In the Coloso course, he reveals how he uses breakdown structures. He draws the main subject (say, a giant mech) in full detail, then uses "visual shorthand" (simpler marks) for the crowd of soldiers below.
He teaches a crucial rule: Detail attracts the eye, but blank space gives the eye rest. The course module on "Distributing Visual Weight" is arguably the most valuable section, showing how to guide a viewer’s gaze across a chaotic scene without losing clarity.
It would be dishonest to write a "Kim Jung Gi Coloso" article without noting the caveats. This is not a beginner course.
The Verdict: Intermediate to advanced artists will find gold here. Beginners should start with perspective fundamentals elsewhere before purchasing.
The course available on Coloso is not a "How to draw a hand in 5 steps" tutorial. It is a psychological and technical deep dive into Visual Library Management. The curriculum is broken down into several key pillars that fans of Kim Jung Gi obsess over.
The Coloso series runs for over 16 hours across multiple chapters. Key segments include:
Fundamentals of Perspective & Volumes: Kim starts with the skeleton of drawing—one-point, two-point, and three-point perspective. He then moves into overlapping organic shapes, showing how to create depth without relying on vanishing points.
Drawing from Observation vs. Imagination: He dissects his own process, drawing a real object (e.g., a motorcycle or a camera) and then immediately redrawing it from a completely different angle using only his mental model.
Character & Mechanical Design: This section is a masterclass in efficiency. Kim populates a page with dozens of unique characters—warriors, robots, creatures—each with distinct silhouettes, postures, and details, all drawn in minutes.
Crowd Scenes & Storytelling: Perhaps the most breathtaking module. Kim fills a massive sheet of paper with chaotic battle scenes, marketplaces, or cityscapes, juggling dozens of figures in perfect perspective while weaving small narratives throughout. kim jung gi coloso
Live Drawing Demonstrations: Uncut and raw, these sessions allow viewers to watch the master’s pen move in real-time, explaining his decision-making process.
Most artists start with a line. Kim Jung Gi starts with a cube. In the Coloso course, he spends hours explaining how he reduces the human body, animals, and machinery into basic geometric volumes. He calls this "mental rendering"—the ability to spin a 3D object in your head without a model.
Fans own Sketch Collection and Omphalos. These books are the output—the finished magic. Coloso is the input. It is the only place where you hear Kim Jung Gi pause, frown, and say, "That motorcycle wheel is wrong. Let me show you why."
The value proposition of Kim Jung Gi Coloso lies in the defeats. Unlike his polished live drawing performances (where he never messes up), the Coloso course includes his corrections. He explains blocked lines, perspective errors, and structural weaknesses. For the first time, students realized the master was not a god; he was a human who trained his visual cortex relentlessly.
You have seen his famous wide-angle murals where buildings curve and crowds spiral. In the Coloso lectures, Kim Jung Gi reveals the mathematics behind his 5-point perspective system (the "Fish-Eye" view). He demonstrates how to keep straight lines from looking distorted while bending the horizon to capture a massive field of view.
Kim Jung Gi’s Coloso course is not just an educational product; it is a monument to one of the greatest draftsmen of the 21st century. It replaces rigid rules with intuitive understanding, showing that mastery comes not from talent alone, but from disciplined observation and a deep love for drawing.
For anyone serious about elevating their visual library and learning to think like a true draftsman, this course is an indispensable resource—a final, generous lesson from a master who left the world far too soon.
“I don’t draw what I see. I draw what I know.” — Kim Jung Gi
Kim Jung-gi’s collaboration with Kazone Art (often referred to as Coloso or Coloso Global) platform represents a landmark in digital art education. For decades, Kim was known as a "human camera," capable of manifesting complex, three-dimensional scenes on paper without any preliminary sketches. His informative course, "The Master of Drawing," serves as a definitive breakdown of the mental framework required to achieve this level of spatial mastery. The Philosophy of "Visual Memory"
The core of Kim Jung-gi’s teaching philosophy, as presented in his Coloso curriculum, is the development of a visual library
. He argued that drawing is not merely a mechanical skill but a cognitive act of retrieval. By meticulously observing real-world objects—from the anatomy of a horse to the mechanical joints of a motorcycle—an artist can store "templates" in their mind. The essay of his life’s work suggests that once these forms are understood fundamentally, they can be rotated and manipulated in 3D space without the need for reference photos. Perspective and the "Box" Method Master artist Kim Jung Gi offers a comprehensive
A central technical pillar of his Coloso lessons is the mastery of perspective
. Kim simplified the most daunting compositions into basic geometric primitives, primarily the
. He taught students to see the world as a collection of boxes; by establishing a box in a specific perspective, an artist can "carve" any complex shape—be it a human figure or a vehicle—out of that space. This method removes the guesswork from foreshortening and ensures that every element of a crowded scene feels grounded in the same physical reality. Bridging the Gap: Observation vs. Imagination
The informative value of Kim’s Coloso content lies in his bridge between live observation pure imagination
. He often demonstrated "memory drawing," where he would observe a subject and then draw it from a completely different angle. This exercise forces the brain to move beyond "copying" and toward "understanding." His presence on the platform democratized his process, allowing students worldwide to see that his seemingly "magical" ability was actually the result of rigorous habit and a specific way of perceiving volume. Legacy in Art Education
Kim Jung-gi’s passing in 2022 transformed his Coloso courses into a vital historical archive. They stand as a primary source for his "Brush Pen" technique—a method that requires immense confidence because ink allows for no corrections. His teachings continue to influence a generation of concept artists and illustrators by emphasizing that spatial awareness constant curiosity are the true engines of creativity. specific technical exercises
he recommends for building a visual library, or are you more interested in his ink and brush techniques
"The Colossus of Memories"
In a world where memories take on a life of their own, a colossal figure emerges from the depths of a person's mind. The Colossus of Memories stands tall, a behemoth of recollections, with skin that resembles the pages of an old book. The pages are worn and torn, revealing snippets of forgotten moments, like a diary left out in the rain.
The Colossus has the face of a wise elder, with eyes that seem to hold a thousand stories. Its hair is a wild tangle of threads, each one representing a memory that has been woven into the fabric of the person's mind. The threads are colored with hues of nostalgia, regret, and joy.
In its hand, the Colossus holds a small, delicate key. The key is attached to a chain that wraps around its wrist, symbolizing the way memories can be both treasured and suffocating. The key itself represents the power to unlock the doors of memory, to confront the past, and to heal. The Language Barrier: While the course has official
The Colossus stands on a pedestal of shattered clockwork mechanisms, signifying the way memories can be fragmented and disjointed. The clockwork pieces are covered in dust, representing the way memories can fade with time.
As the Colossus gazes out into the distance, its eyes seem to be searching for something. Perhaps it's searching for a way to reconcile the past with the present, or to find a way to let go of memories that no longer serve a purpose.
Some possible mathematical concepts that could be used to describe the Colossus:
$$ \frac1f = \frac1do + \frac1di $$
This equation represents a simple lens equation, which could be used to describe the way the Colossus's eyes focus on memories, with di being the distance from the eye to the memory, do being the distance from the eye to the image formed, and f being the focal length of the eye.
However, I should note that this piece is more related to arts.
Kim Jung Gi Coloso Feature refers to the comprehensive character design and perspective masterclass hosted by the late legendary artist on the Coloso global learning platform
. Known for his superhuman ability to draw complex, three-dimensional scenes entirely from memory without references, his curriculum focuses on building a "mental library" and mastering spatial perspective. Key Features of the Masterclass Memory Drawing Techniques
: Instructions on how to observe and retain visual information to draw without physical references. The "Box" Perspective Trick
: A foundational method of envisioning faces and objects within a 3D box to ensure perfect anatomical alignment from any angle. Spontaneous Composition
: Demonstrations of his signature "live drawing" style, where he starts from a single point (often the face) and expands the entire scene outward without prior sketching. Brush Pen Mastery
: Insights into his specific tool use, including his collaboration with the Pentel Brush Sign Pen Artist Visual Storytelling
: Techniques for embedding narrative and movement into static illustrations through dynamic poses and rhythmic composition. How to Access the Feature